When George, the chocolate man, was little, he was a real mommy’s boy. He had his moments and got scared like the rest of us. Only, he would have vivid flashbacks of when he’d get locked in a closet because he was being an immature kid. George suffered mental torment from his mother and this appears to be the fuse for his constant murders. He copes in making little bays feel as helpless as he was at the time. Yet he still thinks of his mother as an angel. Now this kind of torture does not turn to drastic measures all the time, but with George’s obsessive-compulsive disorder it’s taken to extremes. So George only goes to these horrid measures to cope with his vivid past.
I think this theme is portrayed beautifully throughout this book. As George does not kidnap a little boy, he accidentally takes Emily instead. But he does not kill her and they actually form quite a unique relationship. Emily sort of plays the absent role of his mother once she figures just how vulnerable his emotional state really is. And once George sees this he comes to be fond of Emily and does not want to kill her, even when he has to because the police were closing in on him. Emily brings out this harmless side of him throughout the story, and even when he’s caught and the police rescue her, she still believes that he’s a good child, just emotionally scarred. With the last line referencing his obsessive-compulsive disorder, “One two three four five six seven, all good children go to heaven.”
As this book completely changes the stereotypes for murderers and kidnappers, it shows that everyone, even the murderer, was once a good little boy. And I figured this as I maneuvered through George’s complicated past.
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